Set It Off – “Partners In Crime” ~Ft Ash Costello~

This song was originally in my top 100, but I removed because it was just hard rock in the end, however, I will admit, the duet is still admirably unique, and these Partners in Crime sing well together. 91/100.

James Arthur – You Deserve Better

Despite the "ohhh"s in the song, the groovy bass is done quite well. You Deserve Better, James Arthur. 93/100

Hurts – Beautiful Ones

Though it is a decent song,  I cannot fathom how it managed to win Redditvision, especially against what I believe is far superior -- Run Away With Me-- nevertheless, the good message helps the song quite some. 90/100.

Paradis – Toi Et Moi

It sounds similar to Kesha's Take it Off at some parts, but "You and Me" uses its chill disco feel and cool rhythm to completely surpass Kesha and impress me. 97/100.

Jim Croce – Time in a bottle

A masterpiece classic that displays what is wrong with modern music, the only reason this isn't in my top 100 is its shortness (which is why the compositionally similar While My Guitar Gently Wheeps is in there instead). 99/100

Dark Sarah – “Dance With The Dragon” feat. JP Leppäluoto

You could say it's arguably a bit too overdramatic, but the song's uniqueness is to be admired. 80/100.

Tomorrow Never Knows – The Beatles

A crazy psychedelic song with novelties everywhere, though it's not entirely my style, and I'm not sure exactly what score to give this song, I know this song is quite revolutionary indeed. 91/100 (?) This song won an edition of the Shuffle Game. The other songs were: 2. Hi-Lo - Evanescence (ft. Lindsey Stirling) (-3) 3. Midnight - Swingrowers (-12) …

pas de deux – doddleoddle

Simple and calm, pas de deux offers a strong contrast against pop music and a breath of fresh air. However, its lack of power is a double-edged sword and gets mundane on multiple listens.. 80/100

Evanescence – “Hi-Lo” ft. Lindsey Stirling

I probably reviewed this before but eh, whatever, I can't find it. It's neither artists' best song, but it is pretty strong with great vocals along with violin-playing. 92/100

Helen Jane Long – Just

Though it abuses the four chord progression, something about it seems *just* right. 82/100.